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<channel>
	<title>Mila Zuo</title>
	<link>https://milazuo.cargo.site</link>
	<description>Mila Zuo</description>
	<pubDate>Wed, 02 Aug 2023 20:09:03 +0000</pubDate>
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		<title>Front page</title>
				
		<link>https://milazuo.cargo.site/Front-page</link>

		<pubDate>Wed, 02 Aug 2023 20:09:00 +0000</pubDate>

		<dc:creator>Mila Zuo</dc:creator>

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		<description>Nam vel blandit kuam, eu vehicula 
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Nam vel blandit kuam, eu vehicula ante. Nunc odio nislavit


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Nam vel blandit kuam, eu vehicula ante. Nunc odio nislavit

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	<item>
		<title>About</title>
				
		<link>https://milazuo.cargo.site/About</link>

		<pubDate>Wed, 02 Aug 2023 20:09:00 +0000</pubDate>

		<dc:creator>Mila Zuo</dc:creator>

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		<description>Mila Zuo is a scholar-practitioner in film. She is interested in transnational Asian cinemas, film-philosophy, abject and enchanted epistemologies, star studies, digital and new media, de/anticolonial studies, and critical theories of gender/sexuality/race/ethnicity. She is an associate professor in the Department of Theatre and Film at the University of British Columbia.Her book Vulgar Beauty: Acting Chinese in the Global Sensorium (Duke University Press, 2022) focuses on the affective racialization of Chinese women film stars, demonstrating the ways which vulgar, flavourful beauty disrupts Western and colonial notions of beauty. Vulgar Beauty won the 2024 Outstanding Achievement best book award in media, performance, and visual studies from the Association for Asian American Studies. Accompanying research can be found in Film-Philosophy,&#38;nbsp;Women &#38;amp; Performance: a journal of feminist theory, Celebrity Studies, Journal of Chinese Cinemas, Feminist Media Histories, Canadian Literature, and in various anthologies. 

In addition to her scholarly work, Zuo writes, directs, and produces narrative films, visual essays, documentaries, and music videos. Her short films have screened in international film festivals and universities, including Carnal Orient (2016) which premiered at Slamdance Film Festival, and her short narrative film Kin (2021), which was the recipient of the 2019 Oregon Media Arts Fellowship, and screened at HollyShorts Film Festival. Her current film project, Mongoloids, was awarded an Insight Development grant and Insight Grant from the Social Sciences and Humanities Research Council.

Zuo also currently sits on the Film-Philosophy journal editorial board and is a Killam Research Fellow.
At UBC, Zuo is affiliate faculty in the Asian Canadian and Migration program, and she is part of the research clusters Cinema Thinks the World and the Critical Image Forum.

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		<title>Books</title>
				
		<link>https://milazuo.cargo.site/Books</link>

		<pubDate>Wed, 02 Aug 2023 20:09:01 +0000</pubDate>

		<dc:creator>Mila Zuo</dc:creator>

		<guid isPermaLink="true">https://milazuo.cargo.site/Books</guid>

		<description>
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In Vulgar Beauty Mila Zuo offers a new theorization of cinematic feminine beauty by showing how mediated encounters with Chinese film and popular culture stars produce feelings of Chineseness. To illustrate this, Zuo uses the vulgar as an analytic to trace how racial, gendered, and cultural identity is imagined and produced through affect. She frames the vulgar as a characteristic that is experienced through the Chinese concept of weidao, or flavor, in which bitter, salty, pungent, sweet, and sour performances of beauty produce non-Western forms of sexualized and racialized femininity. Analyzing contemporary film and media ranging from actress Gong Li’s post-Mao movies of the late 1980s and 1990s to Joan Chen’s performance in Twin Peaks to Ali Wong’s stand-up comedy specials, Zuo shows how vulgar beauty disrupts Western and colonial notions of beauty. Vulgar beauty, then, becomes the taste of difference. By demonstrating how Chinese feminine beauty becomes a cinematic invention invested in forms of affective racialization, Zuo makes a critical reconsideration of aesthetic theory.


Vulgar Beauty is the 2024 book winner in media, performance, and visual studies from the Association for Asian American Studies.


““In this gorgeously written book, Mila Zuo captures how Chinese female film stars perform beauty in ways that reflect their negotiation with the racial sexualization of their femininity. With a rigorous and lucid ferocity, Zuo boldly brings together critical theory, philosophy, aesthetics, women of color feminism, feminist film theory, and performance theory to help us understand Chinese women’s presences on screen. Fearless and powerful, Vulgar Beauty is a pleasure to read.” — Celine Parreñas Shimizu

"[Zuo's] metaphoric language, mostly revolving around food, offers the reader not only an intellectual exploration of the power of vulgar beauty to destabilize racial and patriarchal power structures but also a flavorful and aesthetic journey in and of itself." — E. Nastacia Schmoll

“With thorough, eye-opening, and groundbreaking analyses, Mila Zuo brilliantly scrutinizes the meaning of East and Southeast Asian beauty, showing how it is a process that has been historically framed within complex colonial and postcolonial discourses that individual stars and films must conform, resist, or play with. Offering scholars and students a new method with which to rethink East Asian and Southeast Asian stardom, film texts, and popular cultures, Vulgar Beauty will make a splash.” — Victor Fan

“Zuo’s writing performs another example of the author’s theory of beauty; one virtuosic in description, breadth of reference, and telescopic perspectives, but most of all in the imaginative sutures of one thing to the next, as to theorise the haptics and alimentary rhetoric of mahjong in Lust, Caution (Ang Lee, 2007). Whatever beauty is, there is plenty of it in Vulgar Beauty. Anyone interested in performance, in gender and sexuality, in race on an international stage, in Chinese politics and history in this century of suffering, needs to read this book. Anyone hungry, voracious perhaps, for interdisciplinary diasporic and transnational critique that engages not only with cultural but also intellectual traditions from China and Korea had better prepare to feast.” — Vivian L. Huang“Mila Zuo’s Vulgar Beauty; Acting Chinese in the Global Sensorium is an exciting intervention in Cinema and Media Studies....by opening questions of beauty and cultural specificity up and also providing an example of reaching outside the Western cultural and conceptual tradition to develop new ways of answering those questions, Vulgar Beauty marks an important and highly provocative breakthrough.” — Chris Berry"Offering a new analytic of Asian American media performance, Zuo’s theorization of vulgar beauty specifically offers a provocative, fresh way to theorize gender, race in the global which we believe will have contributions to Asian American Studies, Asian studies, diaspora studies and beyond. 

“This evocative work enacts the idea of vulgarity and excess in a theoretically-rich and groundbreaking study. Fun, pleasurable, and potentially field changing for thinking through gender and race through diaspora. Mila’s writing style offers both a theorization and ‘how to’--she teaches us how to understand things that we don’t commonly put together. Poetically written and theoretically synesthetic, this book embodies its high-stakes theory by incorporating the five tastes/flavors with a global purview that challenges the boundaries of Asia and North America, addressing its audience’s doubled gazes, refracting circuits of desire and despair." - Association for Asian Studies 2024 jury

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	<item>
		<title>Scholarship</title>
				
		<link>https://milazuo.cargo.site/Scholarship</link>

		<pubDate>Wed, 02 Aug 2023 20:09:01 +0000</pubDate>

		<dc:creator>Mila Zuo</dc:creator>

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		<description>
&#38;nbsp; Select Publications


















Zuo,
Mila, “Can the West Speak? (Picturing the Quilting Point in Cambodian and
Palestinian Cinemas),” Film-Philosophy journal 29:2
(2025). 479-506.


















Brown,
William and Mila Zuo, “Critical Race Theory and Film-Philosophy,” Film-Philosophy&#38;nbsp;journal
29:2 (2025). 301-311.
















Zuo, Mila, Lee Jung
Soo, Jasmine Sanau, Chuiwen Kong, and Jonathan Liu, “Tracing Troeung:
Debilitation and Memory in Postcolonial Cinemas” (visual essay with text), Canadian
Literature special issue “Swirling Into a Field of Life: Works in Conversation
with Y-Dang Troeung” 261 (2025), eds. Christopher B. Patterson and Vinh Nguyen.
49-53.



Zuo, Mila. “Blurry Streams: Pandemic Film Festivals.” In Ecocinema Vol. 2. Eds. Seán Cubbitt, Salma Monani, and Stephen Rust. New York: Routledge, 2023. 209-227.
Zuo, Mila. “Making Kin with Whiteness: Feminist Seductions of the Unwatchable.” In Anti-Feminisms in Media Culture. Eds. Michele White and Diane Negra. New York: Routledge, 2022. 138-157.
Zuo, Mila. “Dull Sex in a Messy Square: Traumatic Boredom in Lou Ye’s Summer Palace (2006).” Women &#38;amp; Performance: A Journal of Feminist Theory 29, no. 2 (2019). 103-124.

Zuo, Mila. “Détourning Asia/America With Valerie Soe” (Director, Visual Essay). Feminist Media Histories 5, no.4 (2019): 56-58, special issue “Activism.” Eds. Angela J. Aguayo and Alexandra Juhasz. 
Zuo, Mila. “Tasting Embarrassment, or, Liking Leo.” In Someone Else’s Object Special Cluster. Ed. Summer Kim Lee. Post 45 Contemporaries (Yale University). December 9, 2019. http://post45.research.yale.edu/2019/12/tasting-embarrassment-or-liking-leo/.
Zuo, Mila. “Gifting Beauty: The Exploitations of Fan Bingbing.” In Exploiting East Asian Cinemas: Genre, Circulation, Reception. Eds. Ken Provencher and Mike Dillon. New York: Bloomsbury Academic Press, 2018. 111-131. &#38;nbsp; 
Zuo, Mila. “Bodies, Blood, and Love: the ‘Touching’ Politics of HIV/AIDS film Love for Life.” Journal of Chinese Cinemas 9.3 (2015). 204-222.
 Zuo, Mila. “Unbecomings in East Asian Women’s Cinema: Naomi Kawase, Yim Soon-rye, and Li Yu.” In The Handbook of Asian Cinema. Eds. Gina Marchetti, Tan See Kam, and Aaron Magnan-Park. New York: Palgrave Macmillan, 2018. 529-558.
Zuo, Mila. “Sensing ‘Performance Anxiety’: Zhang Ziyi, Tang Wei, and Female Film Stardom in the People’s Republic of China.” Celebrity Studies 6:4 (2015). 519-537.
Zuo, Mila and Li Li, “Darao de yishu—daoyan Li Yu zhuanfang” ‘打扰’的艺术－—导演李玉专访 [An Art that Disturbs: An Exclusive Interview with Director Li Yu]. Dangdai dianying 当代电影 [Contemporary Cinema journal] 218:5 (May 2014). 73-76.

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	<item>
		<title>Films</title>
				
		<link>https://milazuo.cargo.site/Films</link>

		<pubDate>Wed, 02 Aug 2023 20:09:02 +0000</pubDate>

		<dc:creator>Mila Zuo</dc:creator>

		<guid isPermaLink="true">https://milazuo.cargo.site/Films</guid>

		<description>KIN (2021)



KIN: Trailer 1&#38;nbsp;



KIN: Trailer 2&#38;nbsp;
	KIN is a narrative short that examines the entanglements of love and hatred in a small rural Oregon town. It received the 2019 Oregon Media Arts fellowship and the Vanguard Award at the George Lindsey UNA Film Festival. 
Please contact mila.zuo@ubc.ca for all screening and viewing inquiries.
	&#60;img width="1000" height="1519" width_o="1000" height_o="1519" data-src="https://freight.cargo.site/t/original/i/ebd093131d086315c2365673123df8b76963e6c3b5d11b1b9f8cb4a9b6cb14ab/KIN_poster_1.jpg" data-mid="186871702" border="0"  src="https://freight.cargo.site/w/1000/i/ebd093131d086315c2365673123df8b76963e6c3b5d11b1b9f8cb4a9b6cb14ab/KIN_poster_1.jpg" /&#62;


COYOTE (2020)
Co-directed and co-written with William Brown as part of the omibus CINEMA 19 anthology, produced by Usama Alshaibi and Adam Sekular.&#38;nbsp;



















Presented in association with and
distributed by:



&#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; The Tang Museum, Saratoga Springs
(New York)



&#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp;&#38;nbsp;&#38;nbsp;&#38;nbsp;&#38;nbsp;&#38;nbsp;&#38;nbsp;&#38;nbsp;&#38;nbsp;&#38;nbsp;&#38;nbsp;&#38;nbsp;&#38;nbsp;&#38;nbsp;&#38;nbsp;&#38;nbsp;&#38;nbsp; Anthology Film Archives (New York
City)



&#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp;&#38;nbsp;&#38;nbsp;&#38;nbsp;&#38;nbsp;&#38;nbsp;&#38;nbsp;&#38;nbsp;&#38;nbsp;&#38;nbsp;&#38;nbsp;&#38;nbsp;&#38;nbsp;&#38;nbsp;&#38;nbsp;&#38;nbsp;&#38;nbsp; Northwest Film Forum, Seattle
(Washington)



&#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp;&#38;nbsp;&#38;nbsp;&#38;nbsp;&#38;nbsp;&#38;nbsp;&#38;nbsp;&#38;nbsp;&#38;nbsp;&#38;nbsp;&#38;nbsp;&#38;nbsp;&#38;nbsp; Zeitgeist Theatre &#38;amp; Lounge, New
Orleans (Louisiana)







&#60;img width="2710" height="1954" width_o="2710" height_o="1954" data-src="https://freight.cargo.site/t/original/i/0384212539f9894c4dd13689317bb5101831ddbb089a405820f4e7ebc37bfc19/Screenshot-2026-01-16-at-10.50.47AM.png" data-mid="243380007" border="0"  src="https://freight.cargo.site/w/1000/i/0384212539f9894c4dd13689317bb5101831ddbb089a405820f4e7ebc37bfc19/Screenshot-2026-01-16-at-10.50.47AM.png" /&#62;

Détourning Asia/America With Valerie Soe (2019)





Détourning Asia / America with Valerie Soe: Teaser


	A visual discussion between filmmakers Valerie Soe and Mila Zuo, exploring contemporary topics related to race, feminism, art, culture, and media. Created in collaboration with the Feminist Media Histories journal. Please contact mila.zuo@ubc.ca for all screening and viewing inquiries.

	&#60;img width="4050" height="6000" width_o="4050" height_o="6000" data-src="https://freight.cargo.site/t/original/i/ad19c275a2577c71a9fa9bfae877549ae81d749f3babf515c792d8d03d7d6629/detourning_1.jpg" data-mid="186871968" border="0"  src="https://freight.cargo.site/w/1000/i/ad19c275a2577c71a9fa9bfae877549ae81d749f3babf515c792d8d03d7d6629/detourning_1.jpg" /&#62;

Carnal Orient (2016)


Carnal Orient: Director’s Cut
	
Carnal Orient is a short narrative film about Orientalist appetites. It premiered at the Slamdance Film Festival and earned Special Mention Experimental Film at the DisOrient Asian American Film Festival.&#38;nbsp;
	&#60;img width="1000" height="1500" width_o="1000" height_o="1500" data-src="https://freight.cargo.site/t/original/i/cf19e9dc481a51a7325fb7d4b468efdf536225343839b2da0e08d9244c6d443b/CO_POSTER_040317.jpg" data-mid="186872603" border="0"  src="https://freight.cargo.site/w/1000/i/cf19e9dc481a51a7325fb7d4b468efdf536225343839b2da0e08d9244c6d443b/CO_POSTER_040317.jpg" /&#62;

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	<item>
		<title>Upcoming talks</title>
				
		<link>https://milazuo.cargo.site/Upcoming-talks</link>

		<pubDate>Wed, 02 Aug 2023 20:09:02 +0000</pubDate>

		<dc:creator>Mila Zuo</dc:creator>

		<guid isPermaLink="true">https://milazuo.cargo.site/Upcoming-talks</guid>

		<description>
Future
May 2026
Keynote presentation, Spiral Film and Philosophy conferencePast (select)

&#60;img width="1200" height="630" width_o="1200" height_o="630" data-src="https://freight.cargo.site/t/original/i/2d41794d164ca56051ada1590d571ccbe42e9dde33ea0ec7a082371f5bbf8b16/shareables.jpeg" data-mid="191670288" border="0" data-scale="75" src="https://freight.cargo.site/w/1000/i/2d41794d164ca56051ada1590d571ccbe42e9dde33ea0ec7a082371f5bbf8b16/shareables.jpeg" /&#62;

</description>
		
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	<item>
		<title>Works-in-progress</title>
				
		<link>https://milazuo.cargo.site/Works-in-progress</link>

		<pubDate>Wed, 02 Aug 2023 20:09:03 +0000</pubDate>

		<dc:creator>Mila Zuo</dc:creator>

		<guid isPermaLink="true">https://milazuo.cargo.site/Works-in-progress</guid>

		<description>


	Mongoloids
Mongoloids is a work of non-fiction centering on Zuo’s family’s experiences during the Cultural Revolution and their migration to the US. This project is supported by the Social Sciences and Humanities Research Council and the University of British Columbia ACRE (Center for Asian Canadian Research and Engagement).
Project is currently in production.
Director of Photography/Producer: Chris Renteria
Editors: Dougal Henken, Jacques de Villiers
Graduate researchers: Chuiwen Kong, Jade Courchesne, Kaixin Liu, and Jacob Pascoe.


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